Everything Everywhere All At Once
- Best Original
Screenplay, Daniel Kwan, Daniel Scheinert
- Best Motion
Picture of the Year, Daniel Kwan (producer), Daniel Scheinert
(producer), Jonathan Wang (producer)-
- Best
Achievement in Directing, Daniel Kwan, Daniel Scheinert
- Best
Performance by an Actress in a Leading Role, Michelle Yeoh
- Best
Performance by an Actress in a Supporting Role, Jamie Lee C Curtis
- Best Performance
by an Actor in a Supporting Role, Ke Huy Quan
- Best
Achievement in Film Editing, Paul Rogers
“In
"Everything Everywhere All At Once," nihilism drives Alphaverse
character Jobu Tupaki to the brink.
There's no
simple way to sum up the Oscar-winning Everything Everywhere All At Once.
Another reviewer
says:
“The Deeper
Meaning Behind Everything Everywhere All At Once
Though never
expressly stated, Everything Everywhere All At Once suggests that what makes
life meaningful is the recognition that because there is no inherent meaning,
all things and moments are equally meaningful. It turns out that Jobu Tupaki (a
variant of Evelyn's daughter Joy) doesn't want to kill Evelyn, but was just
seeking another person who can shift through the multiverse, largely out of
hope for some different perspective to make sense or find some meaning in it
all. Everything Everywhere All At Once is very thoughtful in its treatment of
nihilism and depression, and it never gives an explicit answer to the problem
of meaninglessness in an infinite universe. Instead, Everything Everywhere All At
Once's meaning reveals itself to be a prolonged argument that, perhaps, the
only meaning to be found in life is the people in it, and so the solution is to
be present every moment possible.”
To get a more
thorough picture of what Everything Everywhere All At Once is trying to say, a
quick look at absurdist and nihilist philosophies is also in order.
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